JAMEEL ART PRIZE
Re-image-n
Vancouver Biennale
2018
PARADISE HAS MANY GATES
“Paradise Has Many Gates”, by Saudi Arabian artist Ajlan Gharem. The installation is designed in the architectural form of an Islamic mosque. What makes this mosque unusual, beyond its temporary location in Vanier Park, is that it’s made out of chain-link fence, which is more commonly used to keep the unauthorized out or the imprisoned in. The mosque evokes multiple meanings and feelings; the generational divide between young and old, the designation of sacred space and its meaning within different cultures, the role of religious belief and our search for new knowledge and ways of living, the power struggle between religious constraint and democratic freedom.
للجنة أبواب كثيرة
يمكن أن يثير هذا العمل الفني الشعور بالسجن والقلق من خلال هيكلهالحديدي.من خلال تصميم البنية على شكل مسجد ، مساحة إسلامية مقدسة ومجتمعية ، يتساءل الفنان السعودي الشاب عجلان غارم عن دور الدين في المجتمع في الوقت الراهن، وخاصة بين جيل الشباب الذين تُقدّر أفكارهم ومعارفهم أعلى من ايمانيتهم الروحية التقليدية.
في عالم من الهجرة الجماعية وأزمات اللاجئين ، يدعونا هذا العمل الفني إلى التفكير في دور الأسوار كردع جسدي ونفسي يمكن أن يعزل ويقسم الناس والأفكار. ويدعونا جميعاً ، مسلمين وغير مسلمين على حد سواء ، لنرى ما يفرق بيننا تقليديا وينظر نحو خلق تجارب توحدنا؟
إن الانقسام بين الشكل والمادية يثير صراعات متعددة الأوجه. العمل يحمل تفسيرات كثيرة، ربما من أهمها محاربة التيارات المتطرفة واستخدامها دور العبادة لنشر أفكارها السامة، كما يحارب الإسلاموفوبيا وحيث يجسد موضوع بينالي فانكوفر الحالي بعنوان إعادة التصور ، الذي ينوي تشجيع إعادة استكشاف نظم المعتقد السائدة.
courtesy of Gharem Studio
“Gharem Studio is not only a space for the artist’s personal production, but also home to a new art initiative. “These kind of spaces are very important. We are trying to create a dialogue and platform, and also be an incubator” ”
Operating as an alternative space for people to meet each other, Gharem Studio’s main goal is to cultivate natural and organic growth in the local art community, without any outside influence. Gharem Studio has, thus, adopted an inclusive attitude. “I want this space to act as a guide for everyone who utilizes it to [be able to] come up with ideas and initiatives, [and for it to be] a place where people can be natural,” said Gharem. “When I was younger I suffered from what I call being ’a double dealer,’ where in front of society you are a certain person and behind closed doors you are someone else. [With Gharem Studio] I’m trying to create a holistic environment. I might have made mistakes in the past, but I want the next generation of artists to learn from me,” he added.
The studio was created from Gharem’s desire to take advantage of living in a contemporary society and address issues that arise from living in such circumstances. According to the artist, people need a place to freely do what they love, and Gharem Studio is aimed at making people feel that way—like they are a complete citizen. It is a place where one can contemplate societal issues without worrying about ideology, and have help in directing new conceptual ideas and initiatives; but most importantly, it is a space where artists can be true to themselves.
“Artists are repressed in the Arab world—they haven’t been given the space to find a role, so they just roleplay,” said Gharem. “There is a big problem between understanding freedom and having fun. Pushing artists to produce work requires a lot of effort and energy, but that is how […] their energy and vision [should be used]—to enhance and produce something that is eternal. That is the core goal of Gharem Studio: to [encourage artists to] find a mission and a sense of belonging.”
